Dan Platt | Character Modeler

Shock Trooper from BOLT

ZAP!!! This is the SHOCK TROOPER that I modeled for Disney’s animated film BOLT. This character model embodies both hard surface (as in the case of his helmet) and organic modeling. Like all of my models, everything is 100% quads, modeled in poly’s and converted to subD’s at render time.

Truth be told, the most challenging aspect of this piece was the helmet. It consisted of a butterfly-shaped compound curve cut out from a spherical “ball”, changing yet controlled radiuses, consistent “shiplaps” and renders without a single kink.

Note: No booleans were ever used – everything was carefully hand shaped for precise control over design.

Modeled in Maya
Rendered in Mental Ray
100% quads

Ford Thunderbird

This high res CG production model of a Ford Thunderbird was originally created for American Dog but ultimately scrapped when the scenes, um…, movie changed. So instead of hitting the candy-like delete button, I opted for the candy-like render button and shot out a few images of the untextured model as a keepsake.

Created in Maya
Rendered in Mental Ray
100% Quads 

…and a subD wireframe shot

…and some poly wire shots 

Ford F 1

Designed as a background model for the Farmhouse set, this Ford F1 suffered the same fate as my Thunderbird and was scrapped to the ether of filmmaking when the scenes were cut. Below is an untextured shot of the raw model.

Modeled in Maya
Rendered in Mental Ray
100% Quads 

Wireframe shot of the Ford F1 subD cage

…and a poly wireframe shot

The Farmhouse set

Yes, this is boring and I’m shocked that you are actually reading this post but I decided to include as one example of a hard surface set. This poly model (later converted to subD) was originally built for “American Dog” as a movie set piece before the story changed, the film was retitled to “Bolt” and this scene scrapped. All similar elements (i.e., 2 x 4’s, railing supports, etc.) were repeated and “wonkified” to utilize the same UV’s.

Created in Maya
Rendered in Mental Ray
100% Quads

Edna Mode

Note: This model is NOT the actual Pixar model

As much as I love old school, in your hands, tactile maquettes – their digital counterparts are becoming more commonplace , especially in project based visual development. The “Edna Mode” practice model below was created from reshaping another totally different mesh as a test piece for universal mesh modeling. As noted above, it’s a copy of the brilliant design from Pixar’s “The Incredibles”.

Modeled in Maya
Rendered in Mental Ray
100% Quads 

Pele

I’m helping out Brian Kesinger on his animated short called Tiki-Time. Below is an 16″ tall maquette of the antagonist “Pele” – a volcano that awakens in not the best of moods. Next up is a digital, animated version.

And yes, the leaf base was done entirely by hand – no tricks, plenty of caffeine.

…a detailed shot.

Rankin-Bass flavored

The following is a series of quick character/silhouette studies for a project that’s been kicking around in my stitched up noggin. Stylistically, this first one is a Rankin-Bass meets old-school Disney influence. Large round shapes contained in an innocent, child-like frame. Although I worked at Disney, this personal project has nothing to do with the Walt Disney Company or its affiliates.

16 hour quick sketch in supersculpey
Approx. 10″ tall

Rock-a-billy theme

This version has a bit of a rock-a-billy flair. My influence, the “Groovy Ghoulies” and the coolness of Johnny Cash. This is a 4 hour sketch with emphasis totally on the silhouette. The face is a little too grim for my current needs. Fun though.

4 hour quick sketch in supersculpey
Approx. 6″ tall

Robh Ruppel designed

Based on a Robh Ruppel design, these forms accentuate the chiseled, brutish look.

8 hour quick sketch in supersculpey
Approx. 8″ tall